{"id":17,"date":"2008-09-18T11:26:24","date_gmt":"2008-09-18T18:26:24","guid":{"rendered":"http:\/\/blogtotheoldskool.com\/blog\/?p=17"},"modified":"2010-01-22T13:14:52","modified_gmt":"2010-01-22T20:14:52","slug":"deja-vu-786-recordings","status":"publish","type":"post","link":"http:\/\/blogtotheoldskool.com\/?p=17","title":{"rendered":"Deja Vu \/ 786 Recordings"},"content":{"rendered":"<p>Two of my favorite 90-92 labels which not many people seem to care about are <a href=\"http:\/\/www.discogs.com\/label\/D%C3%A9ja+Vu\">Deja Vu<\/a> and its affiliate label <a href=\"http:\/\/www.discogs.com\/label\/786+Approved\">786 Recordings<\/a>. In particular, releases by Naz Khan and David Hope under various names\/combinations: Naz Aka Naz, Recall, Mind of Kane, Dread, etc. <\/p>\n<p>One thing which makes these labels so fun is that, for the most part, the earlier records in their catalog can be picked up for peanuts on discogs\/ebay. Listening back to the tunes now, it&#8217;s understandable why they might not be everyone&#8217;s cup of tea: buzzing and distorted synths, frantic harsh sounds without much in the way of catchy pianos or anything happy.  However, given that a lot of popular dance music has moved in that direction (distorted portamento synths being the new &#8220;rock guitar&#8221;), I&#8217;m suprised we haven&#8217;t seen more of an interest in some of these tunes.<\/p>\n<p>Here&#8217;s a few of my favorites:<\/p>\n<p><a href=\"http:\/\/www.discogs.com\/release\/1185596\"><img decoding=\"async\" src=\"\/blog\/images\/mind of kane-stabbed in the back.jpeg\" border=\"0\" alt=\"\"id=\"BLOGGER_PHOTO_ID_5247300550503005618\" \/><\/a><br \/>\n<a href=\"http:\/\/rapidshare.com\/files\/146268287\/a._stabbed_in_the_back.mp3.html\">Mind of Kane &#8211; Stabbed In The Back<\/a><br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"\/blog\/audio\/mind%20of%20kane-stabbed_in_the_back.mp3?_=1\" \/><a href=\"\/blog\/audio\/mind%20of%20kane-stabbed_in_the_back.mp3\">\/blog\/audio\/mind%20of%20kane-stabbed_in_the_back.mp3<\/a><\/audio>\nAbsolutely great track &#8211; frantic beats, nasty bass and synth work. The track starts off heavy enough, but just wait until the super distorted synth drops in at 1 min&#8230;<br \/>\n<br \/>\n<a href=\"http:\/\/www.discogs.com\/release\/331716\"><img decoding=\"async\" src=\"\/images\/dread-quantum leap.jpeg\" border=\"0\"\/><\/a><\/p>\n<p><a href=\"\/blog\/audio\/dread-quantum leap-b.mp3\">Dread &#8211; Quantum Leap (b)<\/a><br \/><audio class=\"wp-audio-shortcode\" id=\"audio-17-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"\/blog\/audio\/dread-quantum%20leap-b.mp3?_=2\" \/><a href=\"\/blog\/audio\/dread-quantum%20leap-b.mp3\">\/blog\/audio\/dread-quantum%20leap-b.mp3<\/a><\/audio>\n<p><a href=\"\/blog\/audio\/dread-quantum leap-a.mp3\">Dread &#8211; Quantum Leap (a)<\/a><br \/><audio class=\"wp-audio-shortcode\" id=\"audio-17-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"\/blog\/audio\/dread-quantum%20leap-a.mp3?_=3\" \/><a href=\"\/blog\/audio\/dread-quantum%20leap-a.mp3\">\/blog\/audio\/dread-quantum%20leap-a.mp3<\/a><\/audio>\n<p>This is a really fun single. On the B side, you get an absolutely smashing classic mentasm-sampling tune, suitable for playing alongside any big 91 style tunes.  On the A side, you get a really strange\/ crazy sounding track which borders on experimental music.  At one point in the tune (1:38), the synth lead breaks down into some ridiculous fast portamento thing that sounds like the synths jumping off the keyboard and running down the street naked and screaming. Not a track I would rush to play out, but certainly an interesting and cool tune.<br \/>\n<br \/>\n<a href=\"http:\/\/www.discogs.com\/release\/91672\"><img decoding=\"async\" src=\"\/blog\/images\/mum-water paradox.jpeg\" border=\"0\" alt=\"\"id=\"BLOGGER_PHOTO_ID_5247307375131315522\" \/><\/a><br \/>\n<a href=\"\/blog\/audio\/mass_underground_movement_-_side_a.mp3\">M.U.M. &#8211; The Water Paradox<\/a><br \/><audio class=\"wp-audio-shortcode\" id=\"audio-17-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"\/blog\/audio\/mass_underground_movement_-_side_a.mp3?_=4\" \/><a href=\"\/blog\/audio\/mass_underground_movement_-_side_a.mp3\">\/blog\/audio\/mass_underground_movement_-_side_a.mp3<\/a><\/audio>\nAnother nice single with buzzing synths, heavy breaks, etc. Also, another EP that goes for peanuts.  Discogs doesn&#8217;t have any artist info for MUM (Mass Underground Movement), and my record doesn&#8217;t say anything since it&#8217;s a white label&#8230; but based on its similarity, I&#8217;d bet this was probably the work of either Naz Khan or David Hope.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Two of my favorite 90-92 labels which not many people seem to care about are Deja Vu and its affiliate label 786 Recordings. In particular, releases by Naz Khan and David Hope under various names\/combinations: Naz Aka Naz, Recall, Mind of Kane, Dread, etc. One thing which makes these labels so fun is that, for&hellip; <\/p>\n<div><a class=\"more-link\" href=\"http:\/\/blogtotheoldskool.com\/?p=17\">Continue reading&#8230; <span class=\"screen-reader-text\">Deja Vu \/ 786 Recordings<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[8,4,150,9],"class_list":["post-17","post","type-post","status-publish","format-standard","hentry","category-tunes","tag-8","tag-4","tag-786deja-vu","tag-synth"],"_links":{"self":[{"href":"http:\/\/blogtotheoldskool.com\/index.php?rest_route=\/wp\/v2\/posts\/17","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blogtotheoldskool.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blogtotheoldskool.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blogtotheoldskool.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blogtotheoldskool.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17"}],"version-history":[{"count":4,"href":"http:\/\/blogtotheoldskool.com\/index.php?rest_route=\/wp\/v2\/posts\/17\/revisions"}],"predecessor-version":[{"id":1880,"href":"http:\/\/blogtotheoldskool.com\/index.php?rest_route=\/wp\/v2\/posts\/17\/revisions\/1880"}],"wp:attachment":[{"href":"http:\/\/blogtotheoldskool.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blogtotheoldskool.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=17"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blogtotheoldskool.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=17"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}